“A man hasn’t lived until he can widen his back!” FM Alexander

Why lengthen and widen your back actively?


Free up your energy and springiness

     Actively opening out your back releases tension and frees up energy. 

     It restores your springy elastic body to move easily and responsively - you'll feel younger!

Build stability and strength

     It builds more stability in your system while increasing flexibility

     Feel stronger and more resilient to support your life and activities 

Build your strong back using thinking and consciousness

     Work on your old postural habit patterns - and shift them!

     Work intensively on your own back, shoulder or pelvic issues.

How can we change our alignment
without forcing the body?

Don't we always need an Alexander technique teacher's hands?

The instruction to lengthen and widen the back is part of F.M. Alexander's instructions of primary control. But these instructions are imprecise - as Alexander himself admitted.

The back is complex and consists of different parts working together. Up until now we have needed a teacher's hands to reorganise these for us.

We can now work on ourselves to bring real change 

To do this for ourselves we need to understand  how to bring the different parts of the torso into a more harmonious relationship.

To make these changes we use precise, activated directions with gentle pulls and natural breathing. Lengthening and widening of the back is then the result.

Get started now

Who is this course for?

If you're interested in working deeply on your physical self in an active, integrated and intelligent way,
this tutorial course is for you

  • Alexander technique teachers and trainees

  • Anyone who needs to function optimally - sports people, athletes, dancers, yoga teachers, martial artists, musicians, singers, etc.

  • Readers and explorers working through my book

  • Anyone who has worked through Part 1 explorations and wants the next step

  • Anyone who wants more spring in their step!

Are we "non-doing" - or "not-doing"?

“I have no objection to you doing a lot, but it must be done rightly!” Pat MacDonald

     Have we taken "non-doing" too far, and is there a "right" way of "doing"?
     We all have to do more at times – lifting heavy shopping or a child, jumping a puddle, or even working on a heavy pupil. 
How do we do more without pulling ourselves out of shape?


We’ve learnt to do less, now we need to learn to do more!
 

     We don’t just need to think our directions, we need to activate them and energise them into movement.
     This course will show you how. It's based on my lessons with Miss Goldie, who told me repeatedly I needed a strong back. She used moves I'd never met before, and you'll learn some of them here. 

Discover the power in your back - through activated thinking!

Bonus material

If you've read chapter 7, this course will take you much further!

  • Discover new methods for the pulls

    The work on the pulls has evolved since the book was published. You will learn new methods of engaging the pulls – making them gentler, more effective, better at engaging the natural self-organising mechanisms of the body

  • New anatomical discoveries

    Working with hundreds of AT teachers, we've made new discoveries about the hamstrings, biceps, pelvis and more. These discoveries clarify our Alexander work, making it more effective.

  • Discover 3-D directing and moving!

    It's not easy to think, direct and move in several different planes all at once. It's multitasking! Two bonus videos will help you master this skill that Alexander complained most pupils couldn't do!

What to expect from this course

So many discoveries to make about how your body works!

  • 25 videos, totalling nearly 6 hours of teaching.

  • You'll embody your functional anatomy, so your directions can be precise.

  • Detailed instructions to activate your directions.

  • Talk-throughs on coming to quiet, so you can bring about unfamiliar change for yourself.

  • Learn to engage each pull effectively and safely.

  • Learn to assess yourself - to know whether you’re correct when it feels wrong.

  • Guidance to integrate the pulls together. Find your innate whole body pattern that moves freely with grace, stability and power.

  • Help with thinking and moving in several planes together.

  • Penelope guides you through the explorations in real time, as if she is in the room with you.

Take an adventure in functional anatomy

Experience it in your own body - the best way to learn
and upgrade your brain-maps



Explore Penelope's latest discoveries: 

  • the magic of medial hamstrings 
  • widening within the pelvis itself
  • a new direction to widen the chest and free the neck - and more.

Four bonus videos to wake up your brain maps:

  • Deepen your understanding of your shoulder girdle and arms
  • The functional anatomy of your hand
  • New understanding about the pelvis and its joints (that's right - the pelvis has joints!)

Discover the secret to a truly flat stomach!

  • How do the belly muscles really work with the breath and back for postural and organ support? 
  • Explore some of Alexander's earliest teaching. 

Thoughtful and insightful teaching

- real teaching! Not just "copy me".

On this course, Penelope will help you understand the essence of what Alexander himself was doing - making changes by directing and activating new neurological pathways.

Alexander was careful not to explain too much, because he feared students would try to achieve change by direct means. Penelope gives you methods to avoid this, and supplies the detailed instructions we've been missing.

You will only make the changes that are right for your body by learning how it works, not simply by imposing changes on it.

Penelope’s characteristic lively teaching style will engage you from start to finish. She is a brilliant and generous teacher who will help you go beyond self-doubt and self-criticism with her kind, forgiving approach.

FAQ

  • Do I need to have a copy of your book?

    It will really help to have a copy to get a wider understanding of left/right brain, common postural patterns, embodiment, and my particular understanding of AT concepts.

  • Do I need to do this course in a given time period?

    Not at all. Once you have purchased this course you have lifetime access. So please take your time, and go back to the different sections as often as you like.

  • Do I need to do this course in order?

    Yes. The course builds as it progresses, so you will need to complete each module to understand the next.

  • Can I use this course to help my back problems and pain?

    You could certainly do this. However, if you are not a qualified AT teacher you would probably benefit from some one-to-one work. You can find AT teachers accredited in my methods here: https://alexandertechniqueinfo.org/alexander-technique-teachers/ They all work online if needed.

Facilitator

Penelope Easten

Penelope’s story. I initially read zoology at Cambridge university. I took my first lessons in 1983 and qualified in 1989 from the North London Alexander School (Misha Magidov). After training, my use fell apart, as no-one had taught me to work on myself. This took me to Miss Goldie, who stripped away everything I had learnt, and rebuilt it as she saw the technique should be - a scary process! I worked with her for four years, and that began a thirty-year journey to understand the differences and power of Miss Goldie’s amazing work. It has taken me to many other teachers – including Erika Whittaker, John Hunter, and Jeando Masoero, and to many avenues of exploration and understanding – both scientific and alternative. From age seventeen, I also battled with another 30-year journey - with chronic fatigue syndrome. This is now sorted, but after it I needed to rebuild tone and strength, and increased calm and resilience, which this work has enabled. I have been teaching workshops on Miss Goldie’s work since the Oxford Congress in 2004, in UK, Ireland (including the Limerick Congress), Germany and America. My book: The Alexander technique. The twelve fundamentals of integrated movement was published by Handspring Publishing in March 2021. After 19 years in the West of Ireland, I now live in Edinburgh with my husband and dog, and nearby to my daughter and small grandchildren. I am passionate to share this work that can bring us such renewed vigour, sense of youthful springiness and calm presence.

Course curriculum

  • 1

    Preliminaries

    • Welcome letter

    • Medical disclaimer and other formal points - please read!

    • Introduction to the tutorial series

  • 2

    Module 1: Facts about the unity line

    • Why define a unity line?

    • Assess your own alignment

    • Assess your own alignment – record what you discover

  • 3

    Module 2: Rebalancing your upper body with the pulls

    • Primary and secondary curves on the upper body.

    • Exploring your anatomy: Bones and joints of the shoulder girdle

    • Exploring your anatomy: The four arm lines

    • The upward pull of the sternum

    • Exploring pull to the elbow

    • The vertically hanging arm.

    • Checking for due and undue tension

    • Theory: Three anatomical surprises

  • 4

    Module 3: Making an integrated change

    • Bonus: Multitasking games.

    • Bonus: Multi-tasking games with voice – hummmm or counting

    • Bonus: The anatomy of opening the palm of the hand

    • Practice programming: opening the palm of the hand.

    • Adding a deeper inhibitory process to opening the hand

    • Integrating the upper body

  • 5

    Module 4: Rebalancing the lower body

    • Bonus: Anatomy & movements of the pelvic girdle.

    • The sacrum line, and thinking up from heels to T8

    • Exploring the transverse abdominis

    • Engaging the pubococcygeals

    • Engaging the hamstrings

    • Integrating the lower body

    • Theory: More anatomical surprises

  • 6

    Module 5: More integration

    • Bonus: the reverse biceps direction & the lats pull

  • 7

    Module 6: Lengthening the back from top and bottom

    • Whole body emergent movements

    • Relative speeds create antagonistic action

    • Theory: The pulls build elasticity for greater mechanical advantage

Testimonials and stories

Tone is essential

Alwine Kruisselbank, AT teacher, Germany

Hi Penelope, I´m very in love with your work and excited about what it’s all giving me. Especially now with the pulls, I absolute agree having tone is essential for being able to non-do or release into length and width. I’ve missed it in my AT education and afterwards noted I need a certain degree of exercise to keep tone available, muscle strength and capability. Using the pulls stops me from getting stiff from fitness and golfing, making my body again mobile with strength. So thank you!

The elbow pulls have opened out my neck

Raewyn Khosla, AT teacher, Ottawa

I've been doing a lot of the pulls to the elbow, it really changes your coordination and the lungs really like that. We have a little rebounder but I couldn't use it because it really hurt my neck, it felt jammed down. But after doing the pulls, I tried the rebounder again and it's a completely different experience. With the shoulders more forward it's completely different through the back of my neck. The lengthening is not coming from narrowing, instead it feels much more stable, much juicier, connecting right through the spine so my head is not jamming down when I bounce.

The pulls expand my sense of self

Marion Miller, AT teacher, USA

"Penelope led me to appreciate how the pulls could work for me when enlivened by a Conscious Current of breath movement throughout my whole self and into my surrounding spatial awareness. As stretch needed to happen it was softened by the easy undulation of inhale and exhale beneath the fully expanding core. The pulls put me then into a soft kind of thinking – my thoughts are gentler, they free my brain somehow. There’s a range of tension and pull happening and I can decide where to go with it. And a more expanded sense of self in it too."

More tone helps me not to grip

Meredith Connie, AT teacher

The more specific you can be about things the more concretely you can discuss them and the more available the different parts of your body are. If I have appropriate tone in my hamstrings then a lot of my problems of thighs gripping just melt away.

My whole system now feels calm and springy

Meike Strohbach, AT teacher, Berlin

Chapter 7 really intrigues me. Now I understand the meaning of the springiness and the altogether of all the pulls. Fantastic, my whole system is feeling calm and springy."

Bridging Alexander technique and physiotherapy

Elke Rudolph, AT teacher and physiotherapist, Tasmania

I loved your historical research into how the AT has changed and how that uncovered that “strength “ was part of the original work and has got lost in the newer teaching approaches. From a Physio’s perspective, the importance of strength is non-negotiable. This has been a constant clash in perspectives for me. However, adding the myofascial lines of pull into directions and functional activities, provides a bridge between the two approaches. That’s been exciting.

The pulls have changed the way I work for the better,

Jutta Schäfer-Bossong, AT teacher, Germany

Your work has made a big change in my understanding and experiencing of the alexander-work. The idea to actively engage muscles that are not sufficiently working by applying the pulls: that was new for me and it makes so much sense! It stimulated my curiosity to learn more about anatomy. I feel more dynamic, more at home in my body and more awake to the inside and outside world. And it changed my alexander-work: I work more often with hands-off, I verbally guide my pupils through movements and do them together with them, I integrate the pulls, spatial awareness... It gave my work a clearer structure, my pupils like it and are more engaged and we have more fun.

Fascinated by this work

Gale Hodges

Just a very quick note to let you know that I'm currently working my way through your ch7 explorations- and finding them FASCINATING!

Pricing plans to suit all budgets

It's less than the cost of two private lessons with me,
or a weekend workshop.